Tyrès, Cecile Plaisance

In Tyrès, Cécile Plaisance shifts her cinematic, staged aesthetic into an industrial, intimate garage setting, juxtaposing mechanical labor with sensual vulnerability. The figure, framed by performance cars and workshop tools, embodies a tension between strength and exposure, while the circular tire becomes both prop and symbol — evoking motion, repetition, and the perpetual cycle of desire and power. Through her signature mixed-media layering, Plaisance blurs reality and illusion, questioning perception while reinforcing her ongoing dialogue between luxury culture, the female form, and the mythology surrounding automotive obsession.